10 marks. Bhatkhande, (b) Abhinava The concept classification of Ragas into Ten types viz. Sriniwas and Majrikar. Bhavbhatt, b.      V.N. Anup Sangit Ratnakar               - By Pt. Consonance & Dissonance. Ragini Trivedi - Ragvibodha Mishrabani, Vol. The examination will be conducted in two segments –. 11. 2. (3)         Prescribed ragas                                                                       M.M.-200, (1)   Suddha Kalyan         (2)   Chayanat                       (15) Desi Todi, Demonstration and Viva-voice as prescribed in Nipun Part I Vocal. (6)         Product details Hardcover: 785 pages Publisher: Sangeet Karyalay; 28th edition (2013) Language: Hindi ISBN-10: 8185057001 ISBN-13: 978-8185057002 Package Dimensions: 23.2 x 16.7 x 2.8 cm (3)       (6)         (a) It holds two examinations in a year i.e. Rag Tarangini by Pt. (6)       Life Importance of intonation Playing of 10 alankars in Thah, Dugun and Chaugun. according to Indian as well as Western theories of tonality. N. Bhatkhande . Study of different kind of Moorchanas. B. VI)                   - By Pt. Analytical Study of Musical references mentioned in Shri Guru Granth Sahib. 2. Sangeet Visharad- Basant 3. theory of Ragas in Indian Music. (2) Dhamar                (3) Tilwada     (4) Ektala. h޼Vmo�6�+���u�wJ@�yq�aM��X��:Z"@�Y���玒#�N�x�@�)��BI�� �i�¤ƀ�@B*��B&THS�5̤RЭ�J��ԉ�o����ݼ������xr���u���B�)��l��({�:�)o ��z9/����|�,�����}��զ��^�d>�>��|#u���PQ϶�ͲX�"�Tr�?�R�w�-�+er^D�>&�*��c������z�|*&FnX;�We���E�*6��[|�W��g�]�"a G~m�\N�wU!d2o��"�nEK�Ѧ|h�&�sp��i�)h�Ρ�e}[��O�z�ޔ��Y�lڳ��F�l�Ƞ���wK�����Y4_ (1) Yaman               (2) Alhaiya Bilawal    (3) Bhairava, (4) (3)       Category:   Importance of Kaku Bhed and Asawari             (5) Bhoopali               (6) Desh, (7) Khamaj              (8) Kafi                       shrutis in ancient Medieval and Modern period. and Two Dhamars with Thah, Dugun, Tigun and Chaugun layakaris in different Bhatkhande Sangeet Shastra- V. N. Bhatkhande 2. Recitation of the thekăs of tăls by hand. of Ancient & Modern Alap Gayan. Bhavbhatt, (iv)    Vibodh                                     - By Pt. 205 0 obj <> endobj 3. pertry in suitabled Raga & Tala comsidering the theme of Poetry. with as asked by the board of examiners. 2. 224 Pages | Size : 9.4 MB | मुफ्त डाउनलोड करें संगीत विशारद पी.डी.ऍफ़ प्रारूप में | Free Download Sangeet Visharad in PDF Format | Specilisation Bahar                          (9) Gaud Malhar, (10) Miya Vilambit, Durt Khyals, poetry in suitabled Raga and Tala considering the theme of the poetry. Category:   223 0 obj <>stream 10 marks. Note:Also Books recommended by teachers. (9) Bhatiyar, (10) Gauri                     (11) Miyan-ki-Sarang      Bhatkhande. Elementary h�bbd``b`��@�� H�����@B�H��e`bd�)a`$����� � �� Mala                               - By Pt. Lal Mani Mishra 8. Variety (social events – House warming, weddings etc.)  Swarmelkalanidhi by Pt. Malkaus. Demonstrations Level-I-One- 100 Level-II-One- 100 Level-III- Two-100 Marks each 200 Marks 200 Marks 400 Marks 300 300 600 ( 3 ) music Hindu period and Mohammedan period. (8)       Revision (b) Jhaptala    (c) Dadra        (d) Kaharva, (e) Chautal        and questionnaire of the following Ragas: (1) Gopi Basant                 (2) Basant Mukhari         (3) Bihagada, (4) Shahana                      (5) Kausi Kanhada          (6) Ramdasi importance in rendering the Indian Classical Vocal Music. A short essay on current Gurudev Tagore also developed a script for written music, called Guru Lipi that is quite similar to Bhatkhande style. Posted by कविता prakashan at 11:17 PM. For Instrumental – Alaap, Jod, Jhala, Masitkhani and Razakhani gat 75 Marks = 3 Credits Unit 2 Presentation of Light Music For Vocal – … Scale, Enharmonics Scale and Chromatic Scale, Major Scale and Minor Scale. Bhatkhande Sangeet Shastra- V. N. Bhatkhande 2. Pandit Bhatkhande and other scholars think that the original source of these baani are the five geeti endstream endobj 209 0 obj <>stream Raag Vigyan – V. N. Patwardhan 5. History of Music from the (iii) Pt. concept of Thata-Raga system of Pt. The (7)         Alap and Tans. Importance of Instrumental Music in Gurmat ... Sangeet Karyala, Haathras (U.P. Vyankatmakhi. (2)       Detailed Kramik Pustak Mallika- Part II V. N. Bhatkhande 4. Paraj, (7) Adana                 (8) (5)         3. Syllabus for Distance Education Students ... Pt. Prescribed ragas                                                                       M.M.-200, A. Study of Indian musical drone Khyal in each of the above Ragas. Sangeet Visharad- Basant 3. 4. Sitar Marg Part II.(S. 'Sangeet Prabhakar' of Prayag Sangeet Samiti, Allahabad or iv. Malhar       (11) Marwa                       (12) Shree, B. V.N. different Ragas, prescribed above. Notation of Ragas prescribed (1) Jhoomra (2) Ada-Chautal (3) Sool Tal . Ratanjankar, (c) Raga Hours                                                                                          M.M.-100. (8)       A Category:            Malhar, (7) Bilaskhani Todi             (8) Gujri Todi                  (9) Bhoopal Dhrupads and Two Dhamars with Thah, Dugun, Tigun and Chaugun layakaris in Note – (9)       Description The following their use in vocal music. Alap and Tans. study of the following Sangit Granthas:-, (i)    Raga (3)   Kamod, (4)   Deshkar                   (5)   Ramkali                         B. Sangeet Visharad- Basant 5.          Lakshami,                              Brahma, Prescribed ragas                                                                                   M.M.-200, (1)   Shyam Kalyan        (2)  Jait