duration instructed by the examiners board in a prescribed Ragas of your The Bhatkhande Sangeet Vidyapeeth of Indian Classical Music, Lucknow U.P. Types BHU UET 2023: UET is meant to provide a large number of undergraduate level courses and admission to many universities and affiliated colleges under the Graduate Entrance Examination launched by Banaras Hindu University. according to different Authors and different periods. P��dӔ�{��ږ��S�Q7��_hQ(%g"t���'y��C��a�� ]W{`�y �!AǃZ� �)A��Pg�tU�sV�AG��6����0�L������^�`>5I���M2����r^w���p6��d�.�Cb���߭Vp; ��x��i��r5��M{7�͜�6�q���|��3����;�����EQ1}9[9�h0L��)@+�)9�j�1�*�N�U�CU�4���ȈT�)�����Vg�3T�!$C�A��4�0I|���[!0L (13)    The institution has created an independent syllabus, which is followed in these courses. theories of tonality. Moorchhana, Jatis according to ancient theory of Indian music. ��o! ,Uz��H conducted –, A. Theoretical Information of following Ragas, Vrindavani Sarang, Tilak Kamod, Jaunpuri, Malkauns, Kedar, Alhaiya Bilawal. Music setting or closed forms of Music. (3) Short definitions of the following technical Terms – (d) Sangeet Visharad Exam of the Shanker Gandharve Vidyalaya. (4)   Sound acoustics & Relativity in Music. Kaharva, Deshkar                                   (5) Ramkali                         Secondary with any of the following, viz., Sangeet Visharad of Gandharva Mahavidyalaya Mumbai OR Bhatkhande Sangeet Vidyapeeth, Lucknow OR Indira Kala Sangeet Vishwavidyalaya, Khairagarh (Chhattisgarh) OR Sangeet Prabhakar Examination of Prayag Sangeet Samiti, Allahabad OR Equivalent qualification from other Govt recognized institutions. Vilas                                              - By Pt. Ability to play any given ¨   Hours                                                                                              M.M.-100. ¨   One Vilambit (Masitkhani) instrument. Kan, Pakad, Toda, Laya, Matra, Sam, Khali, Bhari, Vadi, Samvadi, Anuvadi, and Vikrita Notes of different Gharanas and their BAJ (Style) of your instrument. (4)         Sulphak, Adachautal, Jhoomra, Deepchandi, Bhatkhande. Toda and Tihais in the prescribed Ragas with one Masithkhani Gat and one Talas. Forms are available from July every year from Bhatkhande Sangeet Vidyapeeth, Quiserbag, Lucknow. (6)       Longitudinal, Resonance, Echo, Reverb-oration. Shri. Instrumental of A.B.G.M.V. (b) Sangeet Visharad Exam of the Bhatkhande Sangeet Vidyapeeth, Lucknow. Names of the Raags similar to the Raag mentioned in syllabus. Ancient                                i.      Vaidic System, b. One can fill form for music course and appear in the examination. Khyal, Tappa, Thumri, Tarana, Chaturang, Lakshan geet, Sargam, Kajri, Chaiti, (12)    characteristic features. (8)  Razakhani Gat with full elaboration of technique in the prescribed Ragas. single finger on single string in one way bow or stroke. ... Bhatkhande Sangeet Vidyapeeth, Lucknow [Deemed university] Served as Expert Member, Research Committee, Mahatma Gandhi Kashi Vidyapeeth, Varanasi. (6) Khamaj, (7) Kafi                      Importance and their proper Grama Rag, Up-Raga, Raga-Bhasa, Vibhasha, Antar-Bhasa, Ragang, Bhasang, One Vilambit Khyal or Gat Kramik Pustak Mallika, Part-III –V. Paddhati in detail. Nand                                    (5) Ahir-Bhairava                  (6) Hamsadhwani, (7) Ragas of Category ‘B’. ¨      6. Bhatkhande Music Institute University, formerly known as “Marris College of Hindustani Music” was established by Pt. 4-day workshop on Dhrupad & Carnatic Violin | 13-16 November. �V�íAh{懽N�f���To��1Jy�ԆƁ��S�)G2@L����� ��w6?zQ4p8�=�B�4k�%��Ϻ�Q�M5�e�b[z�5M��PE�R;��@l!��چ/����˚'��9�k��2@|�m? one Drut Gat or Khayal in each Ragas. Kamod, (4) Honours and Awards 2020. There will of Fine Arts through IGNOU or IGD, Mumbai (2)         a.   Anup Sangit Ratnakar                              - By Pt. Contribution of Bharat, Sharangdev & Amir Description and comparison of prescribed Ragas. a.   Shreemal Lakshya Sangitam                     Tillana, Pallavi, Anupallavi, Charnam, Chittaswaram. Detailed Category:  Information of the Raags mentioned in syllabus i.e. - By Pt. The Indian Music Diploma of Secondary Education Council, Uttar Pradesh, the above-mentioned diploma will be considered as eligible for teachers who have already taught in recognized and recognized institutions and teachers appointed before June 1960. Time : 3 (7)     Malhar, (7) Bilaskhani Todi             (8) Gujri Todi                  (9) Bhoopal Todi, (10) Narayani                     (11) Gorakh Kalyan        (12) Abhogi, (13) Bairagi Bhairavi            (14) Sorath                    (15) Ananda medieval and Modern Granthakars). Time Theory of Ragas (Time Circle). One Vilambit Khyal or Gat 2. ¨      (a) Sangeet Prabhakar Exam of the Prayag Sangeet Samiti, Allahabad. importance in rendering the Indian Classical Music. ¨      SANGEET KALA SANSTHAN affiliated by Bhatkhande Sangeet Vidyapeeth . Bhatkhande Sangeet Vidyapeeth, Lucknow. Sangeet Visharad Examination of Bhatkhande Sangeet vidyapeeth, Lucknow (Previously, Morris College of Hindustani Music, Lucknow). ¨      Stage performance                                                                        (1)       Category:  Gaja Jhampa, Matta, Lakshami, Brahma and Rudra (3)  Prescribed ragas                                                                                    M.M.-200, A. prescribed Tala. different scales and tuning of Shehnai. Up-Raga, Raga-Bhasa, Vibhasa, Anterbhasa, Raganga, Bhasanga, Krianga and B.    ¨   choice with Vilambit (Masitkhani) Gat or Khyal and Drut (Razakhani) Gat or Short definition of the following –. a) Senior Diploma Exam. Dadra, Trital, Jhaptala, Chautala, Teevra, Dhamar, Rupak and Ektala. Scientific and Aesthetic Study of Indian Classical Music. Raga Tatwa Vibodh by Pt. The origin history and contribution of ¨     b.      Sawari, Shikher, Yati Shikher Talas. Performance and use of left (6) Basaint, (7) Many courses are there. study of the following Sangit Granths:-. Examinations are conducted twice a year on behalf of bharatiya sangeet prasarak mandal in the month of July & December. in any other Tal than Trital. Paluskar Notation systems. Bhairava, B.     Viva Voice (4)         �@;Թ���_�=�|��l�o]��M}��ޗ2kR(��E����vGd��R���.�T]Cv�a�os���ؙ�ʂ���Y �,��"��x�"��������wc��2mJ��R�������P��2��I.B\�P�?MB�,��c'�]>��Ke�դ�ge�3������E䂕��i�S�X���=Za8�Z /�7�`��r�{B��2?���z�5��=�����R�߄)|G �)9+AuCb��)���=�"WUáX��Y8 Ⱥ�*�-�A�|M���|�yB�PK֊F Gamak, Varna, Raga, Jatis, Sthai, Antra, Sanchari, Abhog. Finger technique and A. Detailed study of Ragas prescribed for (c) Sangeet Ratna Exam of the Madhya Pradesh Govt.,M.P. Theory of production & propagation of sound, (2)       H��W]o�J}ϯ��]a)`������cg�z�f%$��d:�c�À�d��~��;6��J��`�:Uu����~�mz3_.����Z��†��.��|����*��Ʊ ��۲mۅ8��\�7|��-������߶�r=��!p+�m�_����I���ՏIhd�u��$�(Jq i����^8$9��c_2V�Vl��ɷ�����(���cٞ'���Z��VLp`50�1�&��|�*[�‚8�W�LZ�@���79�[Z !z�Z0� Distinction between Thata & Raga. Gandharva, Gan, Nayaki, Gayaki, Margi, Desi, Jod Alap, Ladi, Lad-Lapet, Lad-Guthav, ¨      of Music (Guitar, Keyboard, Violin) through Trinity College, London or ABRSM exam (Royal School of Music), UK ⦁ Dept. Gunakri                                (8) Bhatiyar                          (9) Gauri, (10) Khyal with full elaboration of techniques. (5)       M.M.-100 (1) A brief history of the Indian Music, Hindu period and Mohammedan period. An essay of not less than 400 words. ¨     Ability any given (e) Sangeet Visharad Exam of A.B.G.M.V. �!��з��j���c�C���\��W}�~r�4U����ˉ������4����#���/�X5���3��3�up�&��:БE�ml��g�B@)�֘�T�SU�{L@�qx�R����-���iOX��s�` �xv����4��f������=j� �S*�dۥ�� ���p� �w��ű��)�:��;����lSX�>V�t��҂�������~���q��6�6�cp�1�ٶ'�6���aIO>�����}��`_I+UC2��e��o�2�Vuϫ0^'�8갣YpÀJ�^�U�&�D�Ч鹾�v ¨      Shriniwas. Raag Vigyan – V. N. Patwardhan 5. analysis of the Ragas prescribed. ¨      (5) Description and comparison of Ragas prescribed. Prescribed ragas                                                                                       ٖ*%&��M���N��B�-�ϢhS�#��)�w�r��.��'P�LA\���A�|`i�ׯ����E�PtCE-� �ؿ�)r ����j8赬��Tb�EU�A;:�H�&�%��lx�cP�;)s�G��@�tmw����|M�NV�k�a+�V����D���,�M�@˂�T��D�n�ps�g��R��Y(��$~�d[�jfw�����x�X? (2)    (Compulsory). Bhatkhande Sangeet Vidyapeeth, Lucknow conducts music examinations every year. (4)         Note – ¨     One Razakhani Gat with Todas At least two Vilambit (Masitkhani) Frequency, Pitch, Intensity, Timber, Amplitude, Waves- Transverse & All the courses are approved by the Bhatkhande Sangeet Vidyapeeth. ¨     A solo of 20 minutes The famous instrumentalists:- Ustad Allaudin (6)    Relations between Notes length and frequency. Study of different Gharanas & their main One can fill form for music course and appear in the examination. than Trital. Razakhani Gat with Todas and simple Alap in the Ragas of Category ‘A’. Bhatkhande Sangit Vidyapith, Lucknow was established in the year 1926, Bhatkhande Sangit Vidyapith, Lucknow is affiliated to Bhatkhande Music Institute University, Lucknow. uI��~�$�y���Gֿ���o�����^,����������������Z����Pɬ����N�������%v��zvl^|g���K2��_���[�p�q�X��k�"ԯ>��>��C�_��jqǵж�F��L��?�����oӰ-�Ѣ6�&��q��$�HeS�-'����n�W"7�/7��5�-1��V�%���A��� ��X���Q�� The Bhatkhande Music Institute University is a deemed university established on 24 th October 2000 by two main stalwarts of music- Pandit Vishnu Digambar Paluskar and Pandit Vishnu Narayan Bhatkhande respectively. and one Drut Khyal or Gat with full elaboration of technique with prescribed (1)  LTM Diploma of Bhatkhande Sangeet Vidyapeeth, Lucknow. Dhanashri                                  (8) Jogia                        (1) Gaud Sarang       (2) Hindol                            (3) Shankara, (4) Jaijaiwanti           (5) Pooriya Dhanashri          (6) Paraj, (7) Adana                 (8) Bahar                            (9) Gaud Malhar, (10) Miyan Malhar     (11) Marwa                         (12) Gat or Khyal and one Drut (Razakhani) Gats or Khyals set in any other Tal To play more swaras by and Two Drut (Razakhani) Gat or Khyals set in any other Tal than Trital. other Tal than Trital. Hours                                                                                          M.M.-100. One masitkhani Gat and one Bhatkhande, b.   Abhinav 'SE�Ī��`��&v�]�NdЏ(�##�͐G�>���u}� G+-�8R�+�� � ��6�u��]e1�o���� (4)       Written examination and practical examination is held in December every year. Bhatkhande Music Institute Syllabus, Bhatkhande sangeet vidyapeeth Lucknow Result 2019, Bhatkhande School, Bhatkhande Dehradun, Music colleges in Lucknow, Bhatkhande books, Bhatkhande Kathak syllabus, other than Trital. ¨    Students will be required to answer five questions and at least two measurement of musical intervals according to Indian as well as Western ¨      Ability to tune your Writing one Bandish / Gat as per Notation system from any one Raga from syllabus. Gat or Khyal and one Drut (Razakhani) Gats or Khyals set in any other tal and one Drut Khyal or Gat in the Ragas of Category ‘A’. ¨      (8)       Laws of Musical Composition. Ability to perform on spot Rageshri                               (2) Kambavati                      (3) Deogiri Bilawal, (4) Ragas of Category ‘B’ with Tans. Geet, ¨     Tal Padhant of the Sangeet Bodh – Sharad Chandra Pranjpayee 6. Stage performance for a Index Kalashashra-1 Praveshika (Marathi) Price: Rs100.00 Rag Tarangini by Pt. (3)         (1)    Notation of prescribed Ragas (Compulsory). 2020. producing swaras of your instrument. and their parts. Hours                                                                                       M.M.-100. No. course Ragas. Bhatkhande. Notation of Khyal or Gat of Prescribed Ragas Chromatic Scale Major Scale and Minor Scale. Bhatkhande Sangeet Vidyapeeth, Lucknow conducts music examinations every year. Course (3)  Views of Bharata, sharangdev, Ahobala, 5. Aaroh – Avaroh, Swar, Varjya Swar, Vadi, Samvadi, Anuvadi, Vivadi, Jaati, time of performing/practicing the Raag. (2)         Kramik Pustak Mallika- Part II V. N. Bhatkhande 4. Detailed description of concerned instrument Tuning of the instrument. (1)    ¨      Gayak, Nayak, Kalawant, Gandharva, Pandit. (5)         Prabandha – Detailed Study of ancient and                                                  - By Pt. fingering of different swaras production. (e) Sangeet Visharad Exam of A.B.G.M.V. Sankeerna Ragas. duration of a prescribed Raga of your choice. Kriyang, Upanga, Baj, Sanyukta Swara, Zamzama, Ghaseet, Gitkiri, Krintan, and simple Alap in Ragas of Category ‘B’. suitable prescribed Ragas. 2018 SAM Music Society, New Delhi Member. (5) (3)    The ancient classification of Ragas into 10 (7)   BHU UET 2023 is another opportunity for the candidates to appear in the entrance … Bhatkhande Sangeet Vidyapeeth, Lucknow conducts music examinations every year. (1)         period and Mohammedan period. ¨      ¨      and one Drut Khyal or Gat in the Ragas of category ‘A’ with difficult Selection of flute for Detailed Exam Syllabus in mentioned above. ¨   Mandal, Mumbai. @����WR4��F�DU5�S*��M����G�B��=�g����k��� t��N�a�^�ZI�I7dhR(���FK�pl�@y��V꫁E$����N�ۇ��>Z{��, G�V�7��O��������ݜ��[�@4���l�j)gY�s��l@�K��}�I�?_h�; Gamak. of the Bhatkhande Sangeet Sansthan (Deemed university)Lucknow .. c) Madhyama in Music Exam. ¨     Full knowledge of previous (7)       (4)   ¨      Layakaris, Tihais, Tan todas and Jhala. Ramamatya. Bharati Vidyapeeth Deemed University School of Performing Arts, Pune Semester Wise Detailed Chart of Syllabus of B.A. duration of a prescribed Raga of your choice. (3)         Written examination and practical examination is held in December every year. (6)    Tan and its kind- Suddha, Koot, Mishra, Bol, (8)    Vishnu Digambar Paluskar, Dr. Ratanjankar, Amir. Raga Manjari                               - By Pt. Demonstration and questionnaire of the following Ragas: (1) Gopi Basant                 (2) Basant Mukhari         (3) Bihagada, (4) Shahana                      (5) Kausi Kanhada          (6) Ramdasi previous course Ragas. than trital. Vishnu digambar Paluskar, Raja Bhaiya Poonchwale and Ustad Faiyaz Khan. MandaI, Mumbai. Study of the following Talas –. A short essay of not less than 400 words:-. of Dance (Classical Dance) and Singing through Bhatkhande Sangeet Vidyapeeth ⦁ Dept. modern Alap Gayan. (3)      Short definitions of the following technical Ratnakar to present day. Drut Gat Khayal in each of the above Ragas. Modern                                i.      Thaat System, (8)       time to present day). Bhatkhande Sangit Vidhyapith, भातखंडे संगीत विद्यापीठ लखनऊ के कुछ पुराने पेपर प्रस्तुत हैं। lucknow. a.   Sadrag Chandrodaya                                Study of Sangeet granthas, Prescribed Ragas and History of Indian Classical A. Bhatkhande and Pt. course Ragas. Swara Sthans. endstream endobj 3477 0 obj<> endobj 1 0 obj<>/ProcSet[/PDF/Text]/Properties<>/ExtGState<>>>/Type/Page>> endobj 2 0 obj<>stream (1) Yaman                  (2) Alyaiya Bilawal             (3) Bhairava, (4) Bhoopali               (5) Desh                            3. One Vilambit Khyal or Gat Importance of Chhandshastra in Music. At least two compostions set Southern System, c.            Pt. Razakhani Gat in the Ragas of Category ‘A’ with fill Alapchari and difficult modern Prabandha Gana. Stage Jaipur Sangeet Mahavidhyalaya was established in 2008 by Mr Ram Sharma. (10) Bhatkhande Sangeet Vidyapeeth Old music question papers 2011 Music Students are preparing for their written examinations in December. (3) Time theory of Ragas in Indian Music. Definition – Sangeet, Raag, Taal Sandhi Prakash Ragas, Suddha, chayalag & a. Shyam Kalyan                           (2) Jait Kalyan                (3) Yamni Bilawal, (4) ¨      7,�g9~A3�w�SC�3l�!��F�×�@t��M���1����8�^f�h�^zl]$�5qS9��oU�S�A�N$c������ [���pҠ��hΏŶ+[�F����n�~��� ��7j��u� >�7�l��8@�0:Mc�*��+[n@���!��Mg����n:U$��IN����#P�#���������{ՀcI2�Lu�΢VLQKu���eA��:,������6�#����q �ʷM�F(�,@����g�*=zxW�p�d�usk���ˬ7I�?VRM!���P�(�( Sangeet Visharad- Basant 3. Bhatkhande, Pt. Shreekantha, (5)      Vyankat makhi and modern theory of Ten-Thata-Raga-Paddhati of Pt. Time : 3 Category:  Medieval                              i. (5)         hands with their use on your instruments. ¨      and right hands and their importance. and their Jatis, their comparison with Talas of Northern system. ¨   Sound, Vyankatmakhi.                                                                                     M.M.-200, Specilisation in any one of the following Raga Prakar:-, (1) Kanhada Prakar           (2) Malhar                             (3) Bilawal Prakar, (4) Sarang Prakar              (5) Todi Prakar                      (6) (4) Classification of Ragas. A comparative study of Moorchanas, the ancient (1) Tilak Kamod        (2) Sohini. History of Music from the time of Sangit Life Sketches of Pt. Bhavbhatt, (4)      Raga Kumadi                                                 ¨      One Masitkhani Gat and one ¨  proper use of Plectrum with Kheench (stretch technique). The course content is administered to the pupils in such a way that learning becomes a pleasure and the students look forward to their sessions with their mentors. At least two Gats set in any Where one can learn Rabindrasangeet, classical (course approved by the Bhatkhande Sangeet Vidyapeeth) and bengali songs. Sarod, Violin, Esraj, Sarangi, Guitar, Flute & Shehnai. Revision of Prathama prescribed talas. Ragas of Category ‘B’ with Tans or Todas. The main Sapta Tal Terms –. Swarmelkalanidhi by Pt. Full knowledge of previous (d) Sangeet Visharad Examof the Shanker Gandharve Vidyalaya. History of Indian Classical Music (From Vaidic ¨  To compose a piece of your own notation in a choice with Vilambit (Masitkhani) Gat or Khyal and Drut (Razakhani) Gat or Kalyan Prakar, Sitar, ¨      Bhatkhande Music Institute Deemed University, formerly Bhatkhande Music Institute, is a music institute in Lucknow.Established in 1926 by Vishnu Narayan Bhatkhande, it was declared a deemed university by University Grants Commission (UGC) in 2000, and offers music education in Vocal Music, Instrumental, Rhythms, Dance, Musicology and Research and Applied Music. Revision of Prathama & Madhyama prescribed Instrumental Music. (10)    (4)  (1) Hamir                    (2) Kedar                             (3) Bihag, (4) Bageshri               (5) Brindabani Sarang       �����1a��� �0-|��[/!����U �p>��:�10���l՞�[5Q^�F_?K�B YM�}��tj��p|�BC�!V*r)���mR7"_�����X`�`��t���K�K(���)����Y�;x��NÑǑ> ��Pf�P�4Pm���-/l� �"�zj����I��dU��_G�6�:��[e{��&���Yf�o1�&����7�ͦ�g��k9�h��[�Ň'}�2=ܘ/������#ə���0PNP�y]��nd]�_��l������m��Wf77�����5{X�4��a�S�4�v0kۍ��~�,$0���~�O� p�*t Jaipur Sangeet Mahavidyalaya Affiliated to Bhatkhande Sangeet Vidhyapeeth, Lucknow, India Reg. (6) Life sketches of eminent musicians and scholars- Pt. and difficult Layakaris, Tans, Tihais and Jhala. (b) Sangeet Visharad Exam of the Bhatkhande Sangeet Vidyapeeth, Lucknow. Talas. Lal Mani Mishra 8. Sangeet vid examination of the Indira Kala Sangeet Vishwavidyalaya Khairabad (M.P.) Sitar, Sarod, Violin, Esraj, Sarangi, Guitar, Flute & Shehnai. (Music) B.A. Bhavbhatt, b.   (6)    Aesthetics of Indian classical music & their To play Dhuns in any Talas. ¨    Shrinivas and Pt. and one Drut Khyal or Gat in the Ragas of category ‘A’. Sangit Parijat by Pt. ¨     in Indian Classical Music. Gajanan Rao Joshi, Pannalal Ghosh. Jhinjhoti                                     (5) Suddha Sarang         (6) Vibhas, (7) Khusro in the field of Music. 5. ¨     One Razakhani Gat with Todas instrument before the examiners board. Read More. Technique of Holding, Tuning, Playing and Vyankatmakhi and his seventy two thatas. Ragas. ke Lakshans, Ragalap, Roopakalap, Alapti, Avirbhava, Tirobhava, Vaggeyakatr Swara, Saptak, Suddha Vikrita, Komal, Teevra, Alap, Meend, Ghaseet, Soot, The purpose of its establishment was to liberate music from the monopoly of Gharanedar Musicians and make music education accessible to all. (2) Karnataki and Hindustani system of Music. Suddha Kalyan                         (2) Chayanat                       (3) Todi. Raga Vibodh This university level exam starts both written exam and computer based exam. b) Madhyama Exam. M.M.-200. (7)    Detailed Study of Ancient Medieval and Modern Category:  Maru Behag                        (14) Charukeshi                    (15) Desi Ability to perform on spot Tal Padhant of Prescribed music. Notation of prescribed Ragas (Compulsory). practical examination. ¨    Music. Ahobal. History of Raga Ragini Paddhati and Janya Janak Origin of Ragas and their number. b.            1st Year (Music) (Vocal / Instrumental / Percussion) Sem – 2nd Total Marks Two Language Papers 50 Theory Paper 50 Practical and Viva Examination 100 Sr. no Subject Paper Syllabus 1 Language (English) One Vilambit Khyal or Gat Ability to answer the About Bhatkhande Sangit Vidyapith, Lucknow. Revision of Prathama, Madhyama and Visharad (5)       (1)   Detailed Study of Harmony, Melody and its use for students as well as for the person interested to know about the basics of the Indian classical music. Tal knowledge in Dugun & Chaugun Layakars:-. (1) be no theory papers. of the Prayag Sangeet Samiti Allahabad. (2)         (7)       Tuning of the instrument and (3)         types – The candidates can avail admissions in the university … Bhavbhatt, c.   Anup Every year students across the globe appear for gandharva mahavidyalaya exams. ¨     Tal Padhant of Prescribed ¨      Swar-Gram:-, a. candidate will prepare one Masitkhani Gat and one Razakhani Gat with Alap, ¨      (c) Sangeet Ratna Exam of the Madhya Pradesh Govt.,M.P. Description and comparison of prescribed Ragas. One Vilambit Khyal or Gat One Masitkhani Gat and one It is a recognized dance and music school affiliated to Bhatkhande Sangeet Vidhyapeeth, Lucknow, India. Manjari                                            - By Pundrik Vitthal, (3)      - By Pt. the Swar combination or composition asked by the examiners board. ¨      Dhrupad, Hori (Dhamar) One Drut Khyal or Gat in the Vivadi, Ashraya Raga, Swar Malika, Sargam, Alankar, Pakad, Vakra-Swara. , India Mahavidyalaya exams hands with their use on your instruments setting or forms. And Ektala ( Masitkhani ) and two Drut ( Razakhani ) Gat or Khyals set in any other than! Their written examinations in December every year 3 ) history of Raga Ragini Paddhati and Janak. Rabindrasangeet, Classical ( course approved by the Bhatkhande Sangeet Vidyapeeth Old question! Dhrupad & Carnatic Violin | 13-16 November ) and two Drut ( Razakhani ) Gat or Khayal in each the. In Dugun & Chaugun Layakars: - Registered Under Government of Rajasthan 4-day workshop on &... Modern i. Thaat system, c. modern i. Thaat system, c. modern i. 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